there's an adapter that plugs right into the radio. Some nasty-sounding stuff, not to mention the deleterious tissue-heating effects on everyone so exposed. The iCOM 718 is a terrific value. FT-950 transceiver pdf manual download. This HAS to be shown as it turns the parametric EQ on.There are three audio filters that you can change their PARAMETERS (thus 'Parametric' EQ) . Odds are that, once you have WIDE set OK, the other two will be fine. I've been given unsolicited, "great audio" reports as a result of using this audio adjustment method. TRANSMIT BANDWIDTH (TBW) This is confusing, but very important when trying to determine the type of transmit audio you desire. Save the file. See the FTDX10 FUNC > OPERATION SETTINGS > TX AUDIO settings. So this parameter can't actually be used as published. The earlier FT series is actually electrically the same point as the front mic in. You can adjust the parameters of the microphone audio. to solid-state driver & final amplifiers changed the nature of the distortion to that of hard clipping. In other words, the lower number seems to have a lower Q, so the filter affects more frequencies. FT-920Menu U-59 (TLSB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-60 (PROC LSB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-62 (T USB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-63 (PROC USB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-51: Set to OFF initially.1: Mid- and high-frequency emphasis.2: High-frequency emphasis (DX/Contest setting).3: Low- and high-frequency emphasis, dip in middle.4: Wide broadcast setting. Several Kenwood rigs have DSP and other settings that will allow the operator to adjust the response of the radio to your speech input from the microphone. You are the station engineer. In each of the audio bands (low, mid, and high-frequency areas), you can set the center frequency, amplitude, and bandwidth of equalization. Flex and Apache units do very well or a real spectrum analyzer. These assignment Menu numbers are different for the other Yaesu rigs but the level settings are the same. Also, you dont have the benefit of hearing all the net effects of AGC, etc., like other stations receivers, are employing. Second, are the low-gain models (earlier designs like the IC-735/745/751/761/765/781, non-Pro 746/756, all 706 models, and the 7000, 7100, and 7200. Here is what needs to be added to the 8 pin connector to make that electret condenser work. Do you want some big boomy low end? First, you need to set the transmit bandwidth. Most male vocal power is right in the 500 Hz range. I would try 200 - 2800 first. 'Bandwidth' control set to a wider setting (say 10), the filter will encompass the audio frequencies from about 100 Hz to 400 Hz. Usual mic gain will be set between 65 to 80. Turn the Clarify/VFO knob to set this bandwidth of 2-28 (200-2800). ); in this case, set the MAIN: MIC SEL selection to RP (Rear Panel). It was found through testing that when both are set at the same levels, the radio power output is 2.5 times greater with the processor "on" verses the processor "off". Just rename each file configuration when saving (DX, low cut, high cut etc.) Save your settings each time. Yaesu ftdx1200 EQ settings & W2IHY. - YouTube For use on earlier Icom 8-pin (round) equipped rigs, use the HSTA-I8 adapter cable. One thing Bob said that makes a lot of sense. But forget actual numbers. 8-pin Round (All Models)Pin 1: MicPin 2: PTTPin 7: Microphone GroundPin 8: PTT Ground, 4-pin Round (TS-120/130/700/520/530/820/830, TR-2200/7200/7400/7500)Pin 1: Microphone InPin 2: PTTPin 3: PTT GroundPin 4: Ground, 8-pin Modular (TS-480, VHF/UHF Mobiles)Pin 3: GroundPin 4: PTTPin 5: Microphone GroundPin 6: Microphone In. AF4RK. not surprising - anyone remember the 2001 post 'I hate 75 Meters'? We have recently come up with the perfect 'fix' for that. The only sure way of see your over the air audio response is with a receiver that has an accurate spectrum analyzer display. For instance, with my Kenwood TS-2000: it produces a lot of harmonics and sub-harmonics which, when you make a boost around 1kHz, it tends to also make a boost at 500Hz and 2kHz, and those frequencies are very conducive to SSB communications. I like bob as a person but think his "professional ham gear" is outrageous. You can listen through headphones through the monitor but I have always found it better to listen through headphones through a second receiver while transmitting into a dummy load. You can adjust the frequency, the bandwidth and tell those parameters to either notch (-) or boost (+). There will be three important frequencies to attend to. The mid frequency is very important. eHam.net provides recognition and enjoyment to the people who use, contribute, and build the site. SSB-TX-Bandwidth (TX BPF SEL) 100-2900. Its much better to listen in a separate receiver because that is the only way you can get a real-world appraisal of your audio passband characteristics. FTdx3000 Tx EQ Menu Settings with 4K Tx SSB BW & MH-31 Hand Mic Edit: Yaesu MD-100: Main->Filt, High emphasis->on, low cut->off. This will keep the DC factor into the mic preamp circuitry. TS 590 Menu 25 and 26 Bandwidth. Yaesu FT-9000 TTBF Settings for eSSB: (4kHz BW) 1) Turn off the 9000 via front panel switch. Set to 3000. There are three audio filters that you can change their PARAMETERS (thus Parametric EQ). Finally, if you have the ability to select the SSB bandwidth of the monitor receiver, set it as wide as possible. eHam.net is a community web site for amateur (ham) radio operators around the world. For the ladies, peak vocal power occurs at 700 Hz. And then someone tells you, 'You have RF on your audio', and you start checking everything over again! Wrong microphone, not addressing (speaking into) the microphone correctly, too far away from the microphone, too much room echo and a host of other situations. Also go out buy yourself a Audio Technica ATR-30 for 18 bucks on amazon. Set that to 200 to 300 on the low end. Options abound as how to tweak transmit audio to a precise sound. Why buy a PR series mic if you are going to restrict the bandwidth from 200-2800 then roll off all the lows? Now set the transmit bandwidth (either with compression on or off) to Wide, and transmit while you listen to yourself in the monitor receiver. FTdx101MP/D EQ Settings ( Bert PA5HR ) - YouTube Use one of our PR series professional balanced output microphones with the 3 pin XLR. It is clipping the mic pre amp. Transmit filter: Set to WIDE for fidelity, MID for everyday operation, and NAR for DX pile-up busting. YAESU FT-950 OPERATING MANUAL Pdf Download | ManualsLib Excellent on SSB, works great on AM and FM and covers the digital modes.For the iC 7300 we recommend theiCMor any of theheadsetswith the iC element. They unbalance that 8 pin round mic connector input with their typical Pin 8, pin 7 connections. You're right, 'it ain't rocket science' & i use the transmit monitor to listen to myself as well. All of my homebrew mic adapters connect both the mic cable shield and the footswitch ground lead to the shell of the 8-pin connector instead of the mic ground and PTT ground pins. Third filter 2400 Hz Menu 097 Frequency A 100ft tower, a large beam, a 1500w amplifier and a top-of-the-line transceiver, then add more equipment so you sound great on the other end? Start by downloading www.audacityteam.org , a free audio software program. Also, the FT-950 does not have an audio input on the rear and the FT series are not balanced inputs but rather unbalanced. First, are the original zero models: 701, 720, 730, and 740. There are many inter-dependent adjustments on the K3, and the setup instructions on those pages are excellent. On the GM-4 and GM-5, use only the Narrow element, as the Wide element has too much bass response for this rig. 98. Set the transmitter bandwidth and then adjust the equalization for the audio response you desire by listening to your signal. You could also buy a Rugged Air RA 200 aircraft headset for not much more than the CM500. M 1 Yaesu EQ Settings on Yaesu FTdx 101mp/Ftdx10 You wil see my Settings there and i must say my TX Bandwidth is set to the first Frq is 200Hz and the high cut is 2800Hz so maybe FTdx-101. a 718 with a sm 30 mic beats 1200 any day, week, etc..don't waste your monies. I do want to congratulate the author on achieving the results he desired. You then set the Bandwidth of that filter and finally you tell the filter if is notches (cuts, reduces) or boosts that filter frequency. You may get by with a .68 F or a .47 uF, but anything less (.01 F, .005 F, etc.) The second adjustment is the Bandwidth which is set in the traditional audio nomenclature of octaves. The next step is to turn off the Noise Blanker and any DSP Noise Reduction systems, as well as any DSP bandwidth or shaping features such as Yaesus Contour control). Notice your voice frequency profile where the dB levels go up & down within your vocal response. Oddly, the word gain doesn't appear in the text. Well after reading the article it makes me scratch my head and ask myself WHY? Start with Menu #16 (Mic EQ) Off. These menu assignment numbers change rig to rig. ALWAYS remember to hold the MENU button for about 3 seconds to save any of these needed items. I spoke into the mike at a normal voice level from about 6 inches away. Once you learn how to adjust and use a parametric equalizer you will never go on the air without properly adjusting. Compression level, it turns out, is no greater than 5-10 dB. RF power level = 100 W.Connect an audio signal generator to mic input. This is too much work for a headset! Bob was kind enough to send me this info, so I am passing it along to the owners of FT-950's. We are already getting a lot of questions about the best settings for the onboard DSP microphone equalizer. Oddly, the word gain doesn't appear in the text. Now go to Menu #30, and select C (Conventional), which will give the audio frequencies above 600Hz a slight (3 dB) boost. Press the (PROC) button momentarily so MIC EQ shows up in the display. Set Menu 5-9 (TFIL) to 6.0; set Menu 7-7 (SSB-t option) to 100-3100 Hz for fidelity, 300-3100 Hz for DX work. They will be very low in gain. You then know exactly how you sound to the outside world. Available Values: 1 ~ 10 Default Setting: 1 FT-950 O Page . Internal EQ Settings in PowerSDR: EQ 10 Band (internal settings) External EQ recomended. Again YOU have to make the final decision by listening to your own signal. This voltage must be blocked for use of Heil Sound dynamic elements. there's an adapter that plugs right into the radio. Suddenly, there were just 3 pots! For DX work where you need to cut through pile-ups and noisy conditions, 2.1 to 2.4 kHz will be desired. Anti-VOX: About 10% or where needed (keep in mind that the speaker level will affect this a lot). Boost it with that adjustment but it is best to reduce (notch) that low end a bit for cleaner and clearer audio. Back to Audacity. Sometimes, you will have too much low-end audio from the microphone that actually overloads the mic preamp and sounds like RF but it may not be. Option 3 frequently sounds the best, but each option does different things to different voices. There will be three important frequencies to attend to. We discussed the built in EQ on the FT-950. 125 -6. We have explained one filter. Set the TX Equalizer to 2 for local rag-chews, 9 for DX work (1 is also good), and use the 4 setting when using mics with the HC-4 element. An adapter was made to connect the headset to the radio. The results have been gratifying for DX pileups and contesting. Connecting a dynamic into your mic input will provide a nice short of the +8V DC power straight to ground. It will walk all over any 300 dollars heil over priced microphone. 63 +6. Set Menu #65 and 66 (TX Carrier Shift) to +200 for DX work; leave at default (0) or +100 for local work. This reduced the audio level to 15 mV. Turn the Clarify/VFO knob to set this bandwidth of 2-28 (200-2800). Be sure to read the chapter "Parametric Microphone Equalizer" in your YAESU transceiver operating manual. All of the late model Yaesu starting with the FT 9000 through the 101 uses the same Parametric equalizer. May 25 #937. I run the gain at 12 o clock, and the switch on the back of the mic to the right when looking at the back of the mic. I use Audacity for making contest recordings. Audio Profiles IMHO, it is a good idea for hams to have some sort of quality monitoring setup as part of their shack. Record a track of your voice.Save the track & select "analyze". Set the TX BW to 400 -2600Hz for DX/Contest work. You may be able to adjust to 100 as long as it doesn't overload and sound too bassy. Great receiver, full coverage 160 through 6 meters. Mic Gain: Set to 50% for iC elements, 80% for dynamic elements. You may also select HB2 (High Boost 2) if youre using a wide-range microphone, like the PR 781, on the TS-590. Compare your radio audio plot to the Audacity spectrum plot. Parametric Eq frequency/level/bandwidth settings are; 200/9/5, 1500/5/5, 2700/5/5. Investing in outboard gear has become common place. Just rename each file configuration when saving (DX, low cut, high cut etc.) Bob helped Yaseu design the parameters for that rig, and others. You simply select the needed frequency, boost or notch that frequency and set the bandwidth as to how wide you need to affect. W3RJW's FTDX-5000/FTdx-3000 Audio EQ Settings. However, the process became a hobby in itself. Connect your rig to dummy load with a watt meter.Set Eq off, processor on, mode = SSB, mic = 20, processor = 20. If you have more that three frequencies which need 'attention' you have more problems than an equalizer is going to fix! Copyright 2023 Heil Sound Communications, Inc. Yaesu ftdx1200 EQ settings & W2IHY. Use the same settings for the Processor On menu items. Interesting and well written article. I don't know why the well-known commercial adapter maker doesn't do this. Many calls a day come through the Heil Sound facility with RF issues." To build the largest and most complete Amateur Radio community site on the Internet - a "portal" that hams think of as the first place to go for information, to exchange ideas, and be part of whats happening with ham radio on the Internet. Firstly, a 15 dB boost or cut is HUGE. You will perhaps want to change the frequencies of the first two filters if you are using an HC 4 or HC 5 element which is much narrower in response than the above microphones but start hear and see how this affects your transmitted signal. for different settings and have multiple transmit profiles for quick access. You could also buy a Rugged Air RA 200 aircraft headset for not much more than the CM500. You want some big boomy low end? Wide transmit bandwidth. It will NOT support dynamic microphones. It is impossible for us at Heil Sound to know what settings will sound best on your voice, in your station environment, with your microphone, for your interest (DX, Contest work, rag-chewing, or maximum fidelity) The recommendations below are just starting points; listen to yourself in a separate receiver through headphones to reduce speaker feedback (with its antenna disconnected) to determine what sounds best in your unique situation. The site will stand above all other ham radio sites by employing the latest technology and professional design/programming standards, developed by a team of community programmers who contribute their skills to the effort. There are certainly many other methods of setting up the mic and processor, but I learned a lot by doing it this way. Click hereto view pinout information for hundreds of rigs, mics, and connectors. The answer to making the iC 718 come alive is our iCM, handi mic iC or one of the headsets using only our high output iC. Please see ouradapter selectorto find the right cable for your rig. In the amateur radio field we aren't dealing with music material but the adjustment affects voice the same way. The High Boost 2 selection will suppress the lower frequencies, and give you more sparkle on the high side, for good communication-quality audio. As a new owner of an FT-950, Thanks so much for a great article. Set Menu 51 (Equalizer) to 1 or 2 for DX work, 3 (best) or 4 for local rag-chews. - YouTube 0:00 / 8:38 Yaesu ftdx1200 EQ settings & W2IHY. Start with Menu 4-4 (TR EDSP) set to off. These settings are credited to a great friend Randy/K0RWB.thanks Randy! I swapped out the mic cable with RG-174 and connected the mic cable's braid to the 8-pin connector's shell instead of the mic ground pin. We highly suggest our dynamic element microphones (HC-7, HC-5.1 , HC-6, Goldline GM series or PR-781 type). If you set the Bandwidth control of the . This element is found in products including the iCM base station microphone, the Handi Mic iC, the Pro Set iC, Pro Set Plus iC, BM-10 iC, and the Classic iC but the HEIL iC electret will not work on Kenwood or Yaesu which require only our dynamic elements found in our microphones and headsets. Convert power to dB. Boost it with that adjustment. Contact Us. This allows the operator to roll off lows, or roll-off highs, to change the articulation or bass response of your voice wave-form.Beginning with the FT-1000MP, DSP settings were added to many rigs, allowing the transmit bandwidth to be varied, and additionally, it was possible to perturb the envelope to do things like peaking both high and low while putting a null in the center of the transmitted passband, etc.It is impossible for us at Heil Sound to know what settings will sound best on your voice, in your station environment, with your microphone, for your interest (DX, Contest work, rag-chewing, or maximum fidelity) The recommendations below are just starting points; listen to yourself in a separate receiver (with its antenna disconnected) to determine what sounds best in your unique situationFT-2000/3000/5000/FTdx9000 FT 950, FT 3000, FT 1200. Try 200 2800 first. For really beautiful audio, using a studio microphone like the Heil Sound PR 40 or PR 781, connect the microphone via an outboard equalizer like one of the fine products from W2IHY, and then apply the output from the equalizer to pins 2 and 11 of the rear-panel Accessory jack. Well after reading the article it makes me scratch my head and ask myself WHY? HT 3-pin 3.5 mm Plug (All VHF/UHF HT except TH-F6/7*)Tip: +4VRing: Microphone InShaft: PTTNote: Ground is sourced from the shaft of the 2.5 mm plug.Heil Sound is investigating interfacing issues on these models at the present time. Using the Heil Sound wide frequency range microphones such as the PR 781, PR 30 or PR 40 you will want to roll off the low end as the pre amp of the 950 does not handle a lot of bass response. Also, it almost always seems to be necessary to make the boost at around 1kHz. Set the microphone gain to 70 and with the stock bandwidth of 2.4 kHz your SSB signal will be terrific. I have a microphone which has more output on the high frequency range than on the low end, so in order to make it sound balanced I needed to boost the 200 Hz range and cut the 2600 Hz range. Wide-range microphones can sound great, but when applied on SSB as a general rule you may want (A) to add some high-frequency (treble) response to brighten up the pattern, and (B) to roll off some low-frequency energy (bass) particularly if you do DX and contest work.
